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Say Hello to Grandpa Ishenhill!

Here's another one of the many stories I write that somehow involve electricity or lack thereof. One of the characters had been floating around my subconscious for a few years and he finally escaped onto the page.


One day Grandpa Ishenhill announced that he had decided to stop paying the electricity bill. It wasn’t that he couldn’t pay it. He was receiving his pension from having worked for twenty years as an employee of the state, and an extra stipend for being my legal guardian. And it certainly wasn’t because we didn’t need electricity. He just decided, one day, that he wouldn’t pay it. It was almost as if he wanted to see how long it would take before they cut us off. Every night he would sit in his chair in the living room, reading a book in Cazergi, looking up at the lamp every few minutes, angrily, as if he was frustrated at the power company for being late, and when the lights finally did go out, cutting out the newest Pool of Noise album coming from my room, the first thing he said was “well it’s about time they did something.”
                “What am I supposed to do now?” I asked.
                “What do you mean?”
                “I have homework to do!”
                “Light a candle or something. I don’t know, you can wait for the sun to come up. Don’t worry, this is all part of the plan.”
                I came to school thirty minutes late the next day, because my alarm clock didn’t go off, with my homework unfinished and an excuse that no one would believe. “So you’re saying that your grandpa just refuses to pay the electricity bill?”
                “Yeah, he’s gone crazy. I mean, he has always been crazy, but, well, this is a new record.”
                “Maybe you should budget your time better so that you do your homework while the sun is still shining. Or at least think of a better excuse.”
                Because I lived with my crazy grandpa who would refuse to speak English for sometimes weeks at a time, because he thought that American kids were supposed to wear dork pants to school, because whenever teachers would call home about my miscreant behavior or my prodigious lack of caring he would yell at them until they hung up and then tell me some sort of fable from old country to illustrate my moral wrongdoings but which I could never understand, because he would pack me some sort of beet concoction in a thermos for lunch every day, because he insisted on giving me haircuts himself, and now because he somehow got the notion in his head that getting our power cut off was a good idea, I found it exceedingly difficult to be normal, let alone cool, in middle school. Actually, apart from the haircut, it was probably my own fault. Cool is an x-factor and I didn’t have it.
                That afternoon I went to Marco’s house, where there was still lots of power, and played video games with him and Girma, then biked to the public library and tried to actually do some homework, until the librarian (who certainly did not have the potential to become a hot librarian by taking off her glasses and letting down her bun) kicked me out at closing time. So I walked to Carrie Brownstone’s house, stayed there for an hour or two to finish up my homework, then hopped the fence and walked a couple hundred feet along the canal to get home. When I got inside, there were no candles or anything for light, Grandpa Ishenhill was just sitting there, in the dark, eating a warm pudding cup. I noticed by the light coming in from the streetlights that his shirt was on backwards.
                “Did the school call home today?” I asked when I thought we had made eye contact. “Oh wait, that’s right, they couldn’t, because you didn’t pay the phone bill either.”
                “I was wondering why it was so nice and quiet here today,” he grumbled. “Speaking of which, where were you? You didn’t come home after school.”
                “I was someplace where there was electricity.”
                “Have I told you the legend of Gzoljchi the goatherd?”
                “Which one, he’s been in like ten of the stories you’ve made up.”
                “They are time-honored Cazergi legends, from before the coup, before the occupation, before Genghis Khan, before the Caliphate, before there was the Cazergi Orthodox Church, even before Alexander the Great made us civilized people!”
                “You mean killed your men and raped your women.”
                “Killed our men and raped our women. They’re your people too. Which is why you need to hear these stories that–“
                “That you made up?” I wasn’t going to sit through this. I went to my room, slammed the door, and fell asleep with my clothes on. I think I knew which story he was talking about. Gzoljchi was some kind of archetypal figure in Cazergi lore who traveled around the steppes with his herd of goats and outsmarts various trickster spirits, all the while maintaining his integrity. In this particular story, the bat spirit Urzhdet steals the sun and hides it in his cave. Everyone else panics because there is no light, but not Gzoljchi, who is patient enough to learn to find his way without light to see, and then travels into the mountains where Urzhdet resides (scholars have found evidence that these mountains could be anywhere from the Urals to the Caucasus to the Hindu Kush). He then challenges Urzhdet to a traditional game that resembles croquet, called “Bajeka.” Urzhdet cannot see because he is blinded by the intense light of the sun inside his cave, but Gzoljchi plays with his eyes closed, as he has learned to live without sight. I think this story was supposed to tell me that I was supposed to be patient and learn to live without electricity. Now that may have been all well and good in shamanistic, bronze-age Eurasia, but now, I think electricity may be more important than sunlight was back then. At least the way I saw it.

                The next day Grandpa Ishenhill woke me up by knocking on my door. I ate cereal straight from the box with my hand and washed it down with a coca cola. Grandpa Ishenhill ate his dry out of a bowl with a spoon. “You know,” he said, “if we had a goat we could have milk.”
                “Or we could just pay the electricity bill and be able to use our refrigerator again.”
                “Just sit this one through, ok?”
                “What the hell is that supposed to mean?”
                “You’ll learn.”
                “You know, I’ve always thought you were full of shit, but this is ridiculous. Can we just pretend to be normal people for once?”
                “I’ve tried to be normal and it isn’t worth it.”
                “Oh shut up old man.” I was out the door. My hair was all greasy and sticky; we had no hot water so I hadn’t showered. But I felt well rested, and I was aware of things for the first eight hours of my day, kind of like a drone being severed from its hive mind for the first time.
                That night, Grandpa Ishenhill realized that we couldn’t eat dry cereal forever. It was actually his idea to order a pizza. Of course, we couldn’t use our landline, I didn’t have a cell phone and he of course refused to get one. “Go over to that whatsername’s house and use their phone,” he told me.
                “They don’t usually put beets on pizza, you gonna be ok with that?” I asked on my way out the back door.
                “Think of a topping you don’t like and get that on half of it. I’ll probably find to be to my liking.”
                I walked along the canal and hopped over Carrie Brownstone’s back fence. She wasn’t there so I had to explain to her mom and her mom’s boyfriend (who was probably the reason Carrie Brownstone wasn’t there) why I had to use their phone. Once I had explained my peculiar situation and they agreed to let me, I noticed that the pizza parlor’s number that I had scrawled on my hand had already smeared, so I also had to ask them to use their internet to look up the number. (I think we were the last household in the Western World to still have a physical phone book.)
                I was expecting another mind game with Grandpa Ishenhill when the pizza came, making me thank him for not skimping on his basic duty or at least another legend that he probably made up. But instead, he somewhat laboriously hoisted himself onto the kitchen counter, next to the pizza box, and gestured to me to sit on the other side. We sat there in the dark, munching on the pizza in silence.
                “Well, I think I’ll go to bed now,” I said after I had finished.
                The next morning I woke up at six in the morning and actually took a shower, even though it was cold as hell. This would become my routine every day, and I adhered to it without trying. I go to sleep as soon as I got home, wake up with the sun, or even before it, take a freezing shower and then go to school where I would actually pay attention, then go somewhere that wasn’t at home, so I wouldn’t be reminded of how angry I was at Grandpa Ishenhill.
                This worked out all well and good for about a month, until he decided to change the game again. I came home one day and the door was off its hinges, and all of the windows were taken out of their frames.
                “What the hell are you doing with the doors and windows?”
                “I’m selling them.”
                “We’re going to get robbed!”
                “It’s not like we have any valuables.”
                “What about the TV and the computer?”
                “Well, we can’t really use those anyway, so I just stashed them under my bed. It feels like all I really leave the house for is errands and church, so now you don’t have to go to church, and you can run the errands.”
                “I can’t drive yet.”
                “This way you’ll learn fast!”
                “You have completely lost it this time.”
                “It’s all part of the plan. Just let it happen.”
                “What plan?”
                “We just need to let the winds blow through our house. We need to let the outside in.” Have I told you the story of–”
                “Don’t want to hear it.”
                That night I was so cold that I barely slept, so the next day I went to Carrie Brownstone’s to see if they had any extra blankets. I got one and it must have brushed against some poison oak as I was walking along the canal, because the next day I was itchy and puffy everywhere and some spots even turned into sores that oozed pus. It on everything in my room, somehow, on all my clothes, my sheets, my pillow, all over my desk. That was the time of year when the water in the canal got stagnant and mosquitoes started spawning there, and would of course make their way into the house. So I had mosquito bites on top of my poison oak and I couldn’t tell where one ended and the other began. Helluva time...

To Be Continued...
Maybe...

One More from the Archives: Apple Jacks

This is a re-post from "A Tribute to Dan Quayle," originally posted in June of 2009. I was planning to re-post a few more of these, but not many of them are really up to Ozone Shack standards, which is frightening, because the Ozone Shack has low, low standards.

I awoke this morning from a dream in which I was selling bootleg DVDs on the side of the Trans-Siberian highway, somewhere near Vladivostok. I think that I needed to sell them for gas money so I could get back to Moscow. Also, I learned that the (grossly overrated,) SNL sketch "I'm on a Boat" was based on a scene from a 1970's Bollywood film.

That was before I woke up. When I did wake up, it was my last day of high school. Thechnically, it's not over until tomorrow, but I don't actually have to be there tomorrow because my classes that have finals tomorrow don't actually have finals. So I am done with that.

I'm not really thinking about it much. Lately I haven't been seeing ends or beginings, or even transitions. I just see what's going on.

But as much as it goes unnoticed to me, it is still significant, if only for the fact that it is the end of an era. That makes me more than a little regretful, because I feel like I didn't get out of high school what I wanted to, and what I should have. But I'm okay with that. So, by popular demand, I will now be telling the parable of Apple Jacks.


Now, when Apple Jacks were conceived, some executive at Kellog's must have said "Hey, I got an idea! Let's make a cereal that tastes like apples!" But, as was made very clear by their advertising campaign in the late 90's, they don't taste like apples. They may make you good at extreme sports and be federally required to contain 15 vitamins and minerals, but they do not taste like apples. So, they had the goal of creating a cereal that tasted like apples, but they failed. But it's okay, because Apple Jacks are still delicious.

So, even if you don't do what you set out to accomplish, or if you didn't do what was expected of you, you can still do something great. Even if you tried to taste like apples and you don't.

Movies, Not Films

I watch movies, not films. Perhaps they would have you think that movies are fun and meaningless and something to move product and popcorn, and on the other side of the dichotomy, films mean something and are for mature, intelligent people with attention spans. Movies are flashy, appeal to people who like shiny things and bright things and fast things and follow the crowd; films make you think and don't rely on special effects, and are oftentimes made in some strange foreign language that requires you to read. Movies are made by big studios that are little more than factories, and films are made by intelligent people with Buddy Holly glasses and bad haircuts. Movies are low culture, films are high culture.

But really, a "seeing a film" is just a pretentious way of saying you saw a movie. And even when you think you're watching a film, no matter how much the truth galls you, you're really just watching a plain old movie. That's why I will never watch a film. I like watching movies too much.

The End of Western Civilization (For Real This Time)

"Cause everybody's shakin like the end of the world
And everybody's waitin on the end of the world
And I aint got a friend baby left in the world
Don't let me dance all night alone"
-The Gaslight Anthem, Say I Won't (Recognize)

There's a fearmongering video circulating around the internet claiming that since immigrants in Europe and the United States (read: non-white people) reproduce faster than white people, Western Civilization's days are numbered. Now, while Western Civilization may have been invented, at least to a great degree, by white people, it is certainly not dependent on white people to exist. In fact, I think that nations not previously associated with the western tradition are preserving it better than most of the west, or at least better than the United States. Mathematics, science, and reason are all dying a slow death here, while there are millions upon millions of kids in China and India who are taking these subjects far more seriously than most of us in the so called "Western World" are. It doesn't take an all-American orchestra to play Copeland, and the scientific method doesn't just pertain to the people who invented it.

However, civilization as we know it is going to end, and the end may possibly be worse than a burqa-filled stoning-fest of a caliphate. I know this because the most recent viral video, which I cannot escape no matter how hard I try, represents the fact that we have killed music. This is, of course, the infamous "Friday," the latest tween-pop chart topper with a video that's so bad that you for some reason just have to show it to all of your friends. Since for some reason I researched this, the song was never actually intended to be released or sold. It was written and recorded as part of a $2,000 "vanity package," where someone writes a throwaway song for you to sing, which maybe you will use to get your name out there. Now, there have been artists who didn't write their own material for as long as there has been recorded music, but this is different. You can see that it was recorded at something called "Ark Music Factory." Notice anything in the name? Music Factory. That's right, music is now just like an automobile or a blender or a cheap children's toy with numerous choking hazards and traces of asbestos.

Maybe music was already dying when we started selling recordings, and maybe this is just the culmination of a long process. But maybe we have killed music as a form of raw expression, or even a form of culture. No one wants to hear songs they like, or even songs they know. They want to hear songs that they know other people will know. Music is a label, an identity, just like what kind of car you drive or what kind of clothes you wear.

The Ozone Belt

Using analytics software, I have been able to isolate a geographical region of the United States where readers of the Ozone Shack are likely to reside. Unlike the Bible Belt, the Ozone Belt actually is a line that cuts across the nation. So, here's the corridor populated by people who think more about the future than the present:


As you can see, it's concentrated on the West Coast and then snakes in a seemingly random pattern across Middle America before hitting part of the Eastern Seaboard. Advertisers, if this is your key demographic, I will whore out every square inch to accommodate you you.

We Tell Stories

We tell stories because we have something to say; we tell stories because through stories, we can make sense of the world in a way that statistics and charts and graphs and all the algorithms that have ever been made can’t; we tell stories to remember; we tell stories to lie; we tell stories to preserve the past; we tell stories to change the past; we tell stories because what we have to say is so damn important, right?; we tell stories because we have nothing else to say; we tell stories to our friends, our neighbors, ourselves, our split personalities, to the press to cover up a gross blunder of national security, to our significant other about the horrible day we had at the office/the job site/class/the commute/the grocery store/our trip across town to listen to our cranky elderly relative/our drug deal that went horribly wrong and now we need to clean this place up and get the hell out of here before the cops show up; we tell stories to our pets or our houseplants because no one else will listen, and to strangers because even if they judge you, they don't actually know you; we tell stories to commiserate or to boast, to cheer up or to one-up; we tell stories that no one believes; we stretch the truth and take out inconvenient little facts until the story becomes an entity of its own, divorced from reality by our own exaggerations; we tell stories because in stories, anything can happen, we tell stories because sometimes, the truth is just too ugly, we tell stories because humans have always told stories, we tell stories because we all think, secretly, that we’re the most important person in the room, regardless of the room; we tell stories to preserve the past, we tell stories to change the past; we tell stories to live lives we can’t lead; and we tell stories because all you’re really going to get out of life, in the end, is a good story to tell.

Amen.

Creation vs. the Creative Process (Nate Offends Everybody)


“First time I read the bible
It struck me as unwitty
I think it may start a rumor
That the Lord aint got no humor”
-Gogol Bordello, Supertheory of Supereverything


The greatest, most imaginative and inspiring work of science fiction is our own universe, in its entirety.

It is with the utmost humility that I make the following statements. For I am no more inclined to understand the mind of God than anyone else, and I am certainly not a prophet. With that said, I am now going to make a rather bold claim, which I believe will shed some light on a misconception that has existed both within the Christian and the secular spheres of reality for, well, somewhere between 6,000 years and several billion years, depending on your particular cosmological persuasion. And speaking of which, I am going to settle that dispute while I’m here. So I will now climb from the trenches of insecurity, meekness, and deference, where I make my home, and don the mantle of authority, if only for a few minutes, before being booed off the stage, and I will at least be able to take solace in that everyone is in agreement, even if they only all agree that I am wrong.

In this age of reason, Christianity is taken about as seriously as astrology, and is seen as even less intriguing, to boot. It is seen as anti-intellectual, backwards, oppressive, and generally irrelevant; we don’t need those kinds of answers, one will argue, because science has answered them for us. Which is why I feel it is more socially acceptable to admit that I don’t like any of the songs off of Thriller than saying that I am a Christian. (Seriously, I must be missing something because I do not understand how seven of those songs were in the top 10.) I believe that I have a richer perspective on Christianity, and religion in general, because it’s not something in which I have always believed. Growing up I spent an unnatural amount of Sundays with my dad at the planetarium or at the local wetlands museum (which is way cooler than it sounds), or simply dissecting insects and animals I found in the woods, and a grand total of zero at a church of any kind. My mom had the churchgoing habits hammered out of her years before, but would occasionally go to random churches and sit through a service to get free coffee if, we couldn’t afford any, because, like addicts of any other drug, caffeine users need their fix. So I believe in science, all of it, and all of the post-hippie fallout, minus the vegetarianism, because physiologically, we pretty much evolved to be pack hunters, which is an entirely different subject to tackle in an entirely different essay. Growing up free of any religious instruction, I am now free to make intelligent, rational conclusions about my faith. Despite whatever problems I have with doctrine, authority, and organized religion as a whole, choosing to follow Jesus was the surest my otherwise cripplingly indecisive mind was of anything. Taking close second was the decision that I wanted to be a writer. (In third place: “Indian food is delicious.”)

I’m not exactly sure why it happened when it did, and I’m equally mystified about what I wanted to do with my life before, but I was literally in mid-sentence when I decided that I wanted to be a writer. I think before this revelation, I wanted to be some kind of scientist, probably having to do with biotech, kind of, because enzymes are pretty rad, and there are at least as many in the human body as there are words in the English language. But there I was, an ambitionless kid about to enter his senior year of high school, for whom dreaming big consisted of fitting upwards of thirty grapes in my mouth at a time and maybe talking to a girl without crapping myself (not at the same time), and all of a sudden I had this conviction that this was what I needed to do with my life. And yes, I may end up living in the box for an Ikea lamp fixture underneath the Brooklyn-Queens Expressway, but right now I’m on a mission. (And for the record, of course it will be under the Brooklyn end of the BQE, because that's where all the artsy people live.)

The problem then arises, for us intellectually-inclined Christians (which should be all of us), is how to reconcile scriptural “truths” with scientific facts. Viewing the bible this way, as simply a list of facts, turns it into a storybook, and takes away from what it was intended to be: the most important instruction manual that exists. But the debate still rages as to the veracity of the opening passages. Predominantly, this focuses on the origin of the universe and the origin of life, whether or not it was created, or it evolved. After finally figuring out how to take my writing seriously, I have come to realize that both sides have misunderstood the issue, because of a pernicious misconception about what it is to create something.

Any kind of sentient creator or architect for the Universe would seem to be out of synch with standard science, in which the universe is roughly 12.4 billion years old and where everything came to be the way it is today, life especially, through gradual changes that were based mostly on trial and error and accidents, some beneficial and some not so beneficial. Everything from evolution to the big bang theory, and even Copernican cosmology, seemed to fly in the face of the notion of what it meant to be “created.” When these alternative theories of creation emerged, the church’s knee-jerk response was to condemn them, because the church felt that they were antithetical to the notion of a divine creation and undermined everything for which the church stood. And if man was nothing but an accident, then what is the impetus, if any, behind salvation, or is there even salvation at all? The notion of evolution causes one to question whether there is even a creator at all, with the conclusion usually being that there is none. The two theories seem irreconcilable. And they are, with our current, working definition of creation. But the Christian conception of creation, of the creation of life and the universe itself and everything in it, is nothing more than a gross misunderstanding of what it really is to create something. I do not know whether this is due to a lack of creative people or simply because so few rigorously partake in the creative process, but I did not understand, until I undertook to rigorously perfect my writing, that there is a long and complicated series of events that take place between impulse and the actual product of that creative impulse.

When one thinks of an idea, it is just that, an idea. It has nothing physical by which to be represented, and it is fuzzy, lacks form, has holes, lacks internal cohesion. It is only when one tries to act on that idea, and turn it into something physical, that it begins to take shape as something that can exist in a physical universe, and subsequently be understood or consumed. In other words, the limitations and complications of putting a creative idea into practice, although they may alter it, serve to perfect the original idea. As it is translated from thought into action or physical form, every detail must be painstakingly constructed, so that the entire creation fits together as a perfect whole. And at a certain point, details are generated spontaneously; nuances in language and connotation lead to entirely new ideas, the structure of one sentence can shift the direction of an entire passage, subconsciously the idea is constantly reevaluated and updated to accommodate how these accidental details affect the whole.

And an idea is never static when it is being creatively applied. Things aren’t necessarily changed because the old was inferior, but because one inspiration generates another inspiration.

Then there are revisions, numerous drafts, where ideas that don’t work are thrown out or are modified. And I can’t even imagine how many more I personally would have to make were it not for the magical word processor. The whole structure can be changed, every minute detail can be changed, and sometimes only the core idea or motif remains. And even that is not set in stone. But it is these changes and revisions that preserve, then distill and clarify the idea. Tolstoy re-wrote War and Peace seven times. Leo, bless his sanity, wrote the novel six more times than most people will read it, and he certainly couldn’t skim over any passages. It’s an arduous process that takes many many attempts, each attempt a wholly different macro-entity.

When I say revision, I do not mean a re-write where mistakes are corrected. I mean a recreation of the work, articulating ideas differently, experimenting with structure, form, cause, and effect. And in this case the revision is constant.

The difference between our creative subjects and God’s creative subjects, and what complicates the model more than a little, is that God’s subjects seem to be, at least to a certain extent, up to their own devices. Subatomic particles decay at a rate that is constant, but when the specific particle decays is completely up to chance. Atoms and molecules vibrate randomly. UV rays slice through DNA and other organic tissue. And then of course, there is the added dynamic of free will to complicate things. Imagine if some of Chaucer’s pilgrims had decided that, hey, they didn’t really want to go to Canterbury, and instead headed off to London or Venice or Baghdad or off to find the New World. It would certainly create a problem, wouldn’t it?

Whether or not we are the final draft is another sticky subject, and the answers may not be as universally apparent. But if man is created in God’s image, would it then mean that we are the end, the final draft? We may have reached God’s physical image but the world is still changing and we continue to have the power of changing it. And I like to think of God’s work as never being finished, so there isn’t going to be a final draft. The first one was good enough to publish. The revisions may go on forever, just for revision’s sake.

We cheapen God and we cheapen the majesty of His creation by thinking of it as a singular process. To think of creation as a single, temporally isolated event – rather than one which is in a constant state of revision and re-perfecting – is an underestimation of the wisdom of God.

And you may say that I am yanking God off His pedestal and placing him on a human level, bound by earthly constraints and all the other baggage that comes with existing inside the universe. That this take on creation, that God’s initial concept of the universe and everything it contains, from protons to platypuses, was not already supremely perfect from the beginning, would imply that God himself is not perfect. And, this potentially reeks of understanding God on human terms. But once again, you are selling both God and yourself short. A superentity of the utmost perfection would surely use the most perfect method for creating the most perfect work. Creation on a whim, that is what is imperfect, and that is the action of an imperfect being.

Instead of thinking of things as something that came to be with a “thou shalt be this,” it makes much more sense that it is one of a string of infinite possibilities, that many ideas of it have been tried before, and many more ideas will be tried in the future. We are part of God’s creative process, and I feel blessed to be part of it.

Becoming a Christian doesn’t mean that you automatically become a good person, and despite what people will tell you, it doesn’t make you into any worse of a person either. It’s applying that creative process to crafting a righteous person of yourself. And everyone will fail at some point, I know I have. That doesn’t necessarily mean a pious person or a clean person or a sober person or even a person with strong morals, but someone who will better the world, and have faith that the world can be bettered through conscious reevaluation of the self within and of the universe without. And that is why I write, both to better the world, and to understand the process through which the world is bettered, that process being the creative process. Creativity made the world what it is today, and creativity can save the world. But we can’t be scared of it. We can’t be scared to throw out what doesn’t work, accept what does, and constantly revise everything, and I, too must not be afraid to throw out sentences, paragraphs, whole tracts even , which are insufficient, and push my comfort zone to find what is sufficient.

I want you to question what you believe in, be it total atheism or literal biblical creation, and everything in between. Let’s say this is third in the hierarchy of things I am certain of, edging out “Indian food is delicious.” Everything we know and observe came to be exactly how scientists will tell you it happened, and the change was driven by the exact same mechanisms. But that is creation, that is God whipping things into being, as He sees fit, because the God in whom I believe is the most creative individual I know, and I would pray that I could have an infinitesimally small fraction of His creative genius, if genius is even a loaded enough word.

And this conclusion is only the beginning. May peace be upon you and may the world never stay the same.

Let's Be History

The last known survivor of World War I died today.  His name was Frank W. Buckles, and he was 110.  The dude was born in a home without electricity and lived to have his own facebook page.  Perhaps this is not all that remarkable, because someone of my generation will pull off a similar feat.  They may say of the oldest surviving veteran of the War on Terror that he was born in a home without robot butlers and lived to have his consciousness uploaded into a massive orbital database.  But as far as we're concerned right now, that's impressive.

The ancient Greeks, pre-Herodotus believed that history was accurate until it was two generations removed from those who experienced it.  In other words, if I were to tell someone, on my deathbed, about Obama's election, and he, in turn, were to tell my account to someone else on his deathbed, that recipient's generation would be the last to have an accurate account of the story, before Obama turned into the son of Zeus and some unlucky rape victim, and won the presidency after slaying the minotaur.  Granted, this was back before they bothered to write things down, because no one could read and barbarians were constantly invading and using histories as toilet paper.

World War I was the destruction of an old world order, and lead to the formation of a new one, which, once again, has become obsolete.  With Buckle's death also comes the realization that World War I was not the start of the modern age.  The world has now gone from being bipolar - with the world aligned along the lines of the USA and the USSR - to being schizophrenic, with dozens of other nations becoming more economically powerful and getting better at basketball.  (Seriously, Lithuania?)  World War I has now faded into the background of history, something that none of us have experienced and something that can only be read about, never fully understood as it once was.

So, to everyone who reads this, I have a challenge for you.  Participate, somehow, in something that you think will be defining of our era.  That doesn't mean go out and enlist, or, conversely, strap on a vest of plastic explosives and run into a mosque pertaining to the other sect during Friday prayers.  (In fact, please don't do the second one.)  Go live in a tree in the rain forest before they're all wiped out, or fight some Japanese whalers.  Bring democracy to your military dictatorship nation.  Attend a gay wedding.  Get your life ruined by a social gaffe on facebook.  Or just, I don't know, catch Bieber Fever if you can't come up with anything cool to do.  You don't have to do it now, but when you do, make sure it pushes your comfort zone, and you walk away with a good story to tell.  And tell it to everyone who will listen.

I was going to post about something else (probably how sports are important) but then I read about Mr. Buckle's death, and I forgot what I was going to write about and wrote this instead.  Because I think it's important.  We're all going to be part of history someday.  It's said of Herodotus that, "if it isn't true, it ought to be," and I want to live in an era where what is true and what ought to be true are one in the same.